Haunting The Senses

For those of you who don’t know who I am (which is I’d venture to guess 99.999% of you), I am a fairly old friend of Dale’s and recently, he asked me to contribute a bit of music-and-wine pairings to the Architek site.  My qualifications you ask?  Dale and I actually met when we were 16 and 17 respectively, as Dale was joining the so-called band my cousins and I had formed out in the sticks of Greene County, Ohio.   Inevitably, my cousins would forsake music to pursue more upstanding career paths, and Dale and I set out on parallel courses reconnecting years later in Myrtle Beach, South Carolina.  I can honestly say that I was among the first acts that he recorded (I did all my vocal tracks in the upstairs bathroom of his apartment).

Fast forward to now, where after years of working in restaurants and retail, my career path switched from music to wine, while Dale continues to evolve and improve as a recording engineer and producer, as evidence in his work with Atlanta band Spy For Hire.  While I am still a huge FAN of music, I retired my pipes a long time ago, opting to peddle grape juice over dark metal dirges.

Which brings me to my first wine-and-music pairing, a bit different sound than Dale and I grew up listening to, yet something we both can appreciate now.  The music is Otis Taylor’s “Truth Is Not Fiction,” and the wine is Gros Nore Bandol 2006.

Otis Taylor is a bluesman in the rawest sense of the term, penning songs that are steeped in roots, folk and soul, choosing to utilize instruments like banjo and cello to paint stark, bitter landscapes that he labels “trance blues.”

My wife and I first became aware of him while watching the recent Mark Wahlberg movie “Shooter.”  Part of the movie’s soundtrack was an amazingly stirring tune called “Nasty Letter.”  Emotive and effecting, the story brings out raw, bloody feelings of longing and despair.  Conjuring images of dust, dark and cold earth, it is amongst the most primal of songscapes I have heard since first hearing the old mono recordings of Robert Johnson and Elmore James. 

There are 12 songs on his Truth Is Not Fiction CD.  The first song on the disc, “Rosa, Rosa” is an homage to freedom fighter Rosa Parks.  “Kitchen Towel” follows with the tale of a Native American family’s failure and brutal demise.  “Comb Your Brown Hair,” “Babies Don’t Lie,” and “Be My Frankenstein” all touch on love, life and living in such a desolate, vividly provocative way, his vocals resonating up from subtle to berserk, reminiscent of Screaming Jay Hawkins.  Like driving a long desert highway, as you come over the horizon, the song “House of the Crosses” delves deep into human suffering with a fictitious story of a young boy who grows up to be the prison guard to his murderous father.  With only acoustic guitar and cello behind him, the story winds through a barren landscape.

With each passing song, the images of a long journey, wrought with anguish, foreboding and despair wash over you, with an underlying naked beauty that glimmered hope in at least the tiny corners of its tone.  “Nasty Letter” chimes in with a cold reminder that love is not always kind, the story revolving around a harsh goodbye.  Again, only acoustic guitar and cello are there to prop up the heartbreaking lyrics.

The record finishes up with the standard “Baby Please Don’t Go,” a plea to the listener to stay awhile, and give solace to the words and music Taylor constructs.

So why Bandol?  Well, Bandol in general is predominantly Mourvedre from the Provence in France.  Legendary reds that cry out “dusty, earthy wines” the Gros Nore Bandol is indicative of the terroir – red clay and pebbles.  The Mourvedre gives the wine a gritty tannic grip, like walking in a desert for days with no water.  Grenache and Cinsault ease the dryness with glimpses of sexy red fruit, lending to its acidity and complexity.  The Mourvedre however, gives the wine a dark, brooding depth, almost mysterious with its opaque color in the glass, and the dense, concentrated mouthfeel.  Robust and feral, the wine gains momentum in the glass, taking in oxygen and releasing increasing glimpses into its shadowy personae.

Otis Taylor and Bandol.  Light a candle, plug in, pour and enjoy.

 

So long for now,

Kevin Keith

AKA K2 the Rock Wino

Kings Of Leon/Only By The Night

So I’ll be the first person to say that if I don’t like a certain band that there might be a time where I finally get it.  This is not always the case but it is with Kings of Leon newest musical content.  For the first two records I have not felt that special thing that music has when it moves you.  I am not saying it didn’t have it because I know many of people who love those Kings of Leon efforts but may not even like Only By The Night.  

This could very well be their equal to U2’s The Joshua Tree.  This is not a comparison in greatness as much as it is a album that will get them world wide recognition beyond their die hard indie fans.  It is a great album.  So sit back with your favorite favorite bottle of Tempranillo and enjoy.

Radiohead Stems For Remixing

It seems that Radiohead has decided to release the stems of Reckoner to see what you their fans can do in the remix world. You can download the stems from iTunes. So enjoy the ability to remix this Radiohead release and the upload your track to the remix contest and see how good you really are.

Cruel Black Dove/Full Powers

It’s like your favorite deep, dark french roast late at night in a room lit by candlelight.  It’s so captivating, seductively sexy that you never want it to end.

Don’t believe me then listen and get a free download for yourself from RCRD LBL:

Don’t forget to grab the hauntingly chilled out Come On Over (The Clapp Remix) while your there.

Speak In Numbers

Spy for Hire’s debut Cd “Speak in Numbers” emerges as a passionate musical landscape which effectually speaks to the discontented wanting of today. The opening song, “Luck” masks its pop undertones with raw desire. Track three, “Things Used to Be Good” with its bitter-sweet musings in the chorus “Don’t believe, in things you used to be proud of…” further sets the tone of a world that unfortunately must and should be questioned and the discontentment’s of a world gone wrong. On track five, “Motorcycle” the power elevates into a tribal-like chant in the songs hypnotic choruses. Speak in Numbers, is skillfully and meticulously produced by James Salter for boutique label Architek One. Spy for Hire, with “Speak in Numbers”, has created an infectious opus to the power of rock and needed return to music that matters.